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RSI.com Squadron 42 Monthly Report: January 2019

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Squadron 42 Monthly Report: January 2019

This is a cross-post of the report that was recently sent out via the monthly Squadron 42 newsletter. We’re publishing this a second time as a Comm-Link to make it easier for the community to reference back to, and plan on following this process for future Squadron 42 Monthly Reports.

Attention Recruits,

What you are about to read is the latest information on the continuing development of Squadron 42 (SCI des: SQ42).

Read on for classified details from every corner of the planet, collected over the course of the last month, concerning Squadron 42-related work. The information contained in this communication is extremely sensitive and it is of paramount importance that it does not fall into the wrong hands. Purge all records after reading.

Over and out,

UEE Naval High Command

1_Sq42_Roadmap_Image_1.jpg

AI


The AI Team worked on the perception system, which was expanded to handle damage stimuli. AI characters now have proper perception of damage, so they can figure out the location of the source and will behave accordingly by tracking enemies and updating the knowledge they have about them.

Progress was made on the Usable Builder, a tool that’s used to create and debug all usables. It allows the team to easily visualize usables, edit their properties, and test the different use channels. For the mission system, they exposed several new functionalities to the designers, such as a variety of task nodes, new variable types, and new core functionalities. A ‘group’ variable was introduced that can automatically be filled, for example, when spawning AI characters so that designers can easily track the dynamic elements they’re interested in. They’re currently implementing global callbacks to help designers track environmental events specific to the data they’re interested in without the need to explicitly create variables for each entity.



Characters


The new year began with Character Art supporting the SQ42 iteration of the DNA feature, which allows players to create their own unique avatar to play through the game as. They also began modeling various other characters and clothing, including the Basilisk Advocacy Agent armor. The character artists continue to create new outfits and update old ones to tie into specific in-game events.

CloudImperiumGames_Squadron42_AdvocacyAr



Cinematics


The Cinematics Team completed a master and subsequence workflow for Track View sequences, which had become a necessity due to how the game is structured around object containers. They can now work on both master and multiple subsequence scenes at the same time.

The groundwork was laid for the most crucial step in the cross-object-container cinematic pipeline: accessibility of interior sequences and their entity nodes from an exterior master level. This means the team is still able to work on interior scenes (e.g. a Bengal carrier’s bridge) while the ship is flying around in battle and banking on a navigation spline. This is crucial for camera movement as lighting and exterior vistas play a huge role in how bridge scenes appear. It also makes it easier to adjust the timing on a master sequence that brings together interior and exterior subsequences.

A key sequence was brought into the current Shubin Coil pocket, as the placement of asteroids and clouds had changed due to the evolution of gas cloud tech, so there was a need to adjust framing and lighting.

Time was spent working on fire track improvements with the engineers, as weapons were overheating during heavy scene work and back and forth timeline scrubbing. This was addressed, and the team can now endlessly fire the Idris’ turrets at targets without any issues. Another change allows them to adjust the weapon fire-rate, so cinematics can be independent of whatever design changes may come in the future. Some scenes were adjusted in the Shubin Foundry, Gainey base, and other places across the game. Camera passes for other key scenes were completed, including one involving the Vanduul.

Priority planning was also finished for scenes scheduled to finish in the first quarter of 2019.



Engineering


The US Engine Team made improvements to crash handling, including various thread safety improvements to enable more robust handling of obscure crashes, and the addition of extra information into minidumps to allow the better debugging of fibers.

In the UK, the Actor Feature Team started work on a new visual tool for setting up carriable items. Similar to the usables editor tool, it’s designed to lessen the time it takes to add new items to the game and make it easier to debug when testing picking, carrying, and inspecting. They also improved the vault and mantling mechanic by making it work better with different height obstacles and angles, automatically detecting whether to vault or mantle, and enabling mantle when crouched.

Video comm calls can now be triggered by the track view editor, which allows video comms with NPC characters to be easily implemented within larger cinematic sequences. Because track view gives control over things like the camera, lighting, and particle effects, it offers much more control over how comms are presented. Another feature implemented for the track-view-triggered video comms was to allow pre-rendered video to be played in place of any animation. Primarily, this is used for development, so the team can see placeholder video while waiting for final character animations to be supplied, but it can also be used as part of the game if a complicated video would be prohibitive to render dynamically.

On the AI side, the team adapted the ship’s AI to work with the New Flight Model and in the process took advantage of the changed handling to allow closer and more rewarding dogfighting.



Environment Art


Lighting work continued on the Javelin, with the first takes done for several of the states the ship cycles through as the story progresses. The blend shader is now fully up and running and rolled out to the team, giving them far more opportunity to texture large assets while maintaining pixel density.

Two key areas seen within the campaign are now approaching greybox completion and are in the final weeks of ‘soft-gate’ review (playable and traversable spaces with close-to-final geometry). They’ll then roll into ‘hard-gate’ review once all feedback is accounted for.

As mentioned before the holidays, significant effort has been put into destructible and deformable objects that will be placed around every area of the campaign. This work is currently being rolled out into a single ‘hero’ area to give the team a better idea of the overall costs involved and to help them establish a visual language understood by the player (e.g. allowing the player to easily recognize which items can be destroyed, deformed, or moved).

Work continues on Archon Station. With its exterior ‘watertight’, the team is now tying up loose ends where sections of the exterior may intersect with the interior. While easy to hide things like this, the entire station is being constructed with correct interior and exterior dimensions as the ships are.

Transport systems are being placed into Archon Station, with final art for each section currently being worked on.

CloudImperiumGames_Squadron42_ShubinExte



Graphics


The Graphics Team’s SQ42 focus has been predominately on performance:

This included fixing various multi-CPU issues which were limiting the performance by sometimes forcing a CPU to wait for the other due to the way they accessed specific areas of memory. The CPU-intensive technique used to clip volumetric fog to interior rooms has been completely replaced with a GPU compute shader which frees up further CPU time. The final improvement was to re-write how they merge drawcalls, with the aim to increase efficiency and support multi-threading. This will take load from the CPU used for the submission of GPU work and move it to the graphics driver.

On top of the performance work, the team made various improvements to the gas cloud tech, such as unifying the gas cloud and standard lighting systems. They also finalized the signed-distance-field tech to allow the game code to efficiently query the shape of the gas cloud to simulate pressure, turbulence, and procedurally spawn natural-looking lightning.

CloudImperiumGames_Squadron42_Shipjacker



Level Design


To streamline communication between the numerous feature teams, the Design Team has been split into four:

One is responsible for the FPS-heavy chapters and will work closely with the actor and AI feature teams. A spaceflight team will work with the Ship AI and New Flight Model/QT team, and a dedicated social team will focus on all social AI, usables, and NPC activity. Lastly, the tech team will work alongside the gameplay story and cinematic teams to prepare motion-capture and conversations.

This change has not altered the chapter responsibilities as each still has a design owner but has improved communication and allows for more-focused meetings and less wasted time. This new format is the best way to facilitate the new feature work coming in from sprint work that now has direct SQ42 use cases.

CloudImperiumGames_Squadron42_Tram.jpg



Narrative


The Narrative Team returned from the holidays and jumped straight into planning for the first quarter of the year. They also started work on a handful of additional lines and story points.

The team is also excited to welcome a new producer to the group; not only will he help keep the team organized, he’ll also act as the point of contact for other teams to partner with.



Props


The SQ42 Props Team has been working towards finalizing item sub-sets while continuing to assist the Gameplay Story Team by creating props used in motion capture shoots and generally making assets animation-friendly.



QA


QA testers built tools to help test multiple aspects of expansive levels more effectively. The AI feature tester performed regular checks on the various AI in the SQ42 chapters, focused on Cinematic scenes and delivered additional debug info for any reported issues.



System Design


System Design worked with the SQ42 Mission Team to explore the specific needs of FPS AI for the campaign, and research was done on how to improve the overall accuracy of FPS AI.

Gunship behavior was modified to enable ships to circle targets and bring the maximum number of turrets to bear. Fighter behaviors were also modified to get the most out of the New Flight Model.



Tech Animation


Tech Animation supported the various teams working on female animations with tool development, asset conversion, and batch processes. The team also created new head assets for mission givers while refining current ones. The team’s currently refining head assets at the foundation of player face customization.

Additionally, they created a raft of new tools to help skinning assets. This is a ground-up rework of the rudimentary tools already available in the authoring packages and will provide greater speed and flexibility to the Technical Art Team in their daily workload.

New weapon attachments are starting to make an appearance internally and have required the authoring of a new set of weapon systems and a tools base that can support attachments in the animation packages.



Tech Art


Tech Art made steps to finalize the implementation and pipeline of the new facial customization tech, which was previewed at CitizenCon 2018. They switched the system’s source data format from the CDF-based system (which was used during R&D) to the newer component-based loadout currently used throughout the game. This system allows players’ customized faces to be stored persistently in the database and the corresponding data packets to transfer efficiently over the network and be applied to the correct avatar at runtime. Likewise, it allows all NPCs (every shopkeeper, security guard, civilian and eventually mission givers) to have a unique face built internally by our designers. While R&D on the new ‘DNA’ system was done using male faces, the ‘face pool’ for female characters is being populated and is planned to come online at the same time.

Tech Art also supported the Weapons Team with animation debugging, weapon rigging, in-engine setup, and debugging multiple render and resource compiler issues. They added a new system for weapons in Maya to allow animators to quickly attach different attachments, making it easier for them to author specific animations. They also updated the underlying metasystem in the weapon rigs to help the animators export weapons without double transforms on the root or magazine controls.

Tech Art also supported the Cinematic Animation Team with various new tools and helped them debug several issues with animations in Maya and the engine. They continued to implement animations into Mannequin to make them available for the designers. They also updated the way cinematic animations are listed for different skeletons to support female players.



Vehicle Features


The Vehicle Team spent time with SQ42 Design to implement various Subsumption callbacks for mission-specific requirements.

They also completed modifications to the vehicle targeting system so that external items, such as ship engines, can be specifically targeted. Improvements to ship combat systems continued via automated gimbals, HUD improvements to support Ping & Scanning, and the vehicle ‘XML to DataForge’ migration began. Also, a vehicle gimbal aim assist feature is nearing completion.



VFX


VFX starting to focus on quality-of-life enhancements to their toolset. For example, a simple interface change with the option to reset an emitter strength curve with the click of a button, instead of having to manually delete each key. Although seemingly a minor thing, it makes a huge difference to productivity in the long run.

They continued to work on gas cloud tech, working even more closely with the art and design teams to make sure it provides them with everything they need to build something as incredible (and huge) as The Coil! This also included continued iteration on lightning effects, making use of the new lightning editor which speeds up the workflow compared to the previous XML set up.

They also began their first pass on the Xi’an ballistic rocket launcher because the trickiest part of this weapon is getting the balance right between traditional ballistic effects and the overtly-sci-fi Xi’an effects.



Weapons


The Weapon Art Team worked on the Multi-Tool rework, Kastak Arms Ravager-212, and the level 2 and 3 upgrades for the Hurston Dynamics Laser Repeaters. They also made minor adjustments to iron sights on a handful of weapons to improve the sight picture and make them more user-friendly. They completed work on the Behring Sawbuck repeaters and kicked off work on Gemini S71 assault rifle and Kastak Arms Coda pistol.



Covert Intel


CloudImperiumGames_Squadron42_Vanduul.jp

Conclusion

WE’LL SEE YOU NEXT MONTH



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      “I get that,” he said. “I really do. But at some point we have to call it a loss and focus on the next thing, right?”
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      She watched him squirm. It wasn’t like him to wrestle with his conscience. Frankly, she was disappointed to learn that he’d found one.
      “If Rhedd Alert won’t withdraw willingly,” she said, “then they will have to fail the hard way. Prep the ships, Rie­beld. We have done very well together, you and I. You should know that I won’t back away from what is mine.” He seemed to appreciate her sincerity, but Brock wanted to hear the cocksure salesman say it. “Are we clear?”
      “Yes, ma’am,” Riebeld swallowed and stood. “Perfectly clear.”
      “Any luck?” Walt pulled up Barry’s record in his mobiGlas and hit connect.
      Dell sat at the hangar console trying to reach Gavin and the team. Her brow furrowed in a grimace and she shook her head.
      “Damn. Okay, keep trying.”
      Barry connected. The accountant wore his uniform. He was on duty, wherever he was, and his projected face looked genuinely mournful. “Hey,” he said, “long time no see, man. Listen, I can’t tell you how sad I am about Boomer.”
      “Thanks.” Barry had known Dell and Boomer for most his life. He’d probably been torn between attending the service and allowing the family to grieve in privacy. Regardless, commiseration would have to wait. “We need your help, Barry. Please tell me that you have access to the propos­als for the Tyrol contract.”
      “Of course I do. And who’s we? Are you back with Dell and Gavin?”
      “I am,” he felt Dell’s eyes on him when he said it. “Anyway, we need a favor. I need to know the ship models and con­figurations proposed by the incumbent.”
      “Morgan Brock’s outfit, sure. No can do on the ship data, though. That information is all confidential. Only the price proposals are available for public review, and those only during the protest period.”
      “Come on, Barry. We’re not talking trade secrets here. I could figure this out with a fly-by of their hangar in Kilian. I just don’t have time for that. I need to know what ships those guys fly.”
      Barry breathed out a heavy sigh, “Hold on. But I can’t send you the proposals, okay? You guys are already on thin ice with this contract as is.”
      “Tell me about it. And thanks, I owe you huge for this.”
      Walt waited, throat dry. He scratched at a chipped edge on his worn mobiGlas with a fingernail.
      “All right,” Barry read from something off-screen, “it looks like they’re flying a variety of Hornets. Specifically, F7As. I can send you a list of the proposed hardpoints, and I hap­pen to know that Brock herself flies a Super Hornet.”
      The mobiGlas shook on Walt’s wrist. His face felt hot, and he forced his jaw to relax. “Barry, if you have any pull with the Navy, get some ships to Tyrol. It’s been Brock this whole time. She’s been setting us up to fail. And she’s the bitch that OK’d Boomer.”
      “I’m going, Walt. That’s final.”
      Walt rubbed at his eyes with the flat part of his fingers. How did Gavin ever win an argument her? Forbidding her involvement was a lost cause. Maybe he could reason with her. “Listen. When’s the last time you were even in a cockpit?”
      “I know this ship. I was practically born in these things.”
      “Dell —”
      She threw his helmet at him. He caught it awkwardly, and she had shed her coveralls and was wriggling into her flight suit before he could finish his thought. She stared at him with hard eyes and said, “Suit up if you don’t want to get left behind.”
      Dell was as implacable as gravity. Fine. It was her funeral, and he realized there was no way his brother had ever won an argument with her.
      They finished prepping in silence. Walt pulled the chocks on her Avenger when she climbed up into the cockpit. He gave the hulking muzzle of the Tarantula an appreciative pat. “You have ammo for this bad boy?”
      “I have a little.”
      “Good,” he smiled. “Let’s hope Brock isn’t ready to handle reinforcements.”
      Walt mulled that thought over. It was true that Gavin had split their team in each fight, but Rhedd Alert had never sent in reserves. Each engagement had been a fair and straightforward fight. Brock wasn’t likely to know anything about their resources, however limited, beyond the escort team. That could work to their advantage.
      In fact, “Hey, Dell. Hop out for a tick, will you?”
      “Like hell I will.” The look she shot down at him was pure challenge. “I said I’m going and that’s that.”
      “Oh, no. I’ve already lost that fight. But you and your cannon here got me thinking about those pirates in Oberon. Tell me, did we ever find a buyer for that old Idris hull?”
      “No. It’s buoyed in storage outside the station, why?”
      Dell looked at him skeptically and he grinned. “We’re going to introduce these military-types to
      some ol’ smugglers’ tricks.”
      Gavin held the team at the edge of the jump gate between Min and Nexus. “All right gang, listen up. You know the drill and what might be waiting for us on the other side. Jazza, I want you and Rahul up on point for this jump. I’ll bring Cassiopeia over after you and the rest of the team are in. Anyone not ready to jump?”
      His team was silent as they arranged themselves into position with professional precision. The pilot aboard Cassiopeia sounded the ready and Gavin sent Jazza through. The others were hard on her heels, and Gavin felt the always-peculiar drop through the mouth of the jump gate.
      Light and sound stretched, dragging him across the inter­space. Another drop, a moment’s disorientation, and then Nexus resolved around him.
      Without warning, Mei’s fighter flashed past his forward screen. Incandescent laser fire slashed along the ghost grey and fire-alarm red ship, crippling Mei’s shields and shearing away sections of armored hull. Mei fired back at a trio of maddeningly familiar Hornets in a tight triangular formation.
      Jazza barked orders. “Mei. Rahul. Flank Gavin and get Cassiopeia out of here. Gavin, you copy that? You have the package.”
      He shook his head, willing the post-jump disorientation away. He didn’t remember bringing up his shields, but they flashed on his HUD and his weapon systems were armed.
      “Copy that.” Gavin switched to the transport channel, “Cassiopeia. Let’s get you folks out of here.”
      The crew onboard the UEE transport didn’t need any more encouragement. Gavin accelerated to keep pace with the larger ship as two Rhedd Alert fighters dropped into posi­tion above and below him. Together, they raced toward the jump gate to Tyrol.
      The Hornets wheeled and dropped toward them from one side. Gavin’s HUD lit up with alerts as Jazza sent a pair of rockets dangerously close over his head to blast into one of the attacking ships. Her ship screamed by overhead, but the Hornets stayed in pursuit of the fleeing transport.
      Alarms sounded. They needed more firepower on the Hornets to give Cassiopeia time to get clear. He yelled a course heading, and Cassiopeia dove with Mei and Rahul on either flank.
      Gavin pulled up, turned and fired to pull the attention of the attackers. He spun, taking the brunt of their return fire on his stronger starboard shields.
      The impact shook the Cutlass violently, and his shield integ­rity bar sagged into the red. Gavin turned, took another wild shot with his lasers, and accelerated away from Cassiopeia with the Hornets in close pursuit.
      Navsat data for the jump into Nexus crept onto the edge of Walt’s HUD. Several seconds and thousands of kilometers later, the first of the embattled starships winked onto the display. His brother and the Rhedd Alert team were hard-pressed.
      Walt watched Brock and her crew circle and strike, corralling the Rhedd Alert ships. Gavin tried to lead the attackers away, but Brock wouldn’t bite. By keeping the fight centered on the UEE transport, she essentially held the transport hostage.
      Time to even the odds.
      Jazza tore into one of the Hornets. Walt saw the enemy fighter’s superior shields absorb the impact. He marked that Hornet as his target, preparing to strike before its defenses recharged.
      He killed his primary drive and spun end to end, slash­ing backward through the melee like a blazing comet. His targeting system locked onto the enemy Hornet, and his heavy Broadsword blasted bullets into it.
      Mei’s battered fighter dove through the streaming wreck­age, but the Super Hornet, presumably Brock, waited for her on the other side. A blast from her neutron cannon tore through the Rhedd Alert ship. Mei ejected safely, but their team was down a ship.
      “Gods,” Gavin’s voice was frantic. “Get the hell out of here, Walt. Form up with the transport and get them away from the fight.”
      Walt ignored him. He came around for another pass and triggered his mic to an open-area channel. “The game’s up, Brock.”
      His words cut across the thrust and wheel of close com­bat, and for a moment the fighters on all sides flew in quiet patterns above the fleeing Cassiopeia.
      “You know,” Walt said, “if you wanted us to believe you were after the transport, you should have saved your big guns for Cassiopeia instead of overkilling our friend.”
      “I suppose I should be disappointed that you have found me out,” Brock’s voice was a pinched sneer, and every bit as cold and hard as Gavin had described. “On the other hand, I’m glad you’ve shared this with me. I might have been content disabling the majority of your so-called fleet. Now, it seems that I will have to be more thorough.”
      She fired, he dodged, and the fight was on again in earnest. Walt switched his comms to Rhedd Alert’s squad channel. “Brock was never after Cassiopeia, Gav. She’s been after us.”
      “Maybe I’m a little distracted by all the missiles and the neutron cannon, but I’m failing to see how that is at all relevant right now.”
      “We’re no match for the tech in her ships. If she goes after the transport, they’re toast.” He rolled into position next to Gavin. Together, they nosed down to strafe at a Hornet from above.
      “Great,” Gavin said, “then why did you tip her off?”
      Walt suppressed a wicked grin. “Because,” he said, “she can’t afford to let any of us get away, either.”
      “If you have any brilliant ideas, spit ’em out. I’m all ears.”
      “Run with me.” For all Walt knew, Brock could hear every word they were saying. She would tear them apart if they stayed. He had to get Gavin to follow him. “Run with me, Gavin.”
      “Damn it, Walt! If you came to help, then help. I’ve got a pilot down, and I’m not leaving her here to get OK’d like Boom­er.”
      “This ain’t about doing the easy thing, Gav. Someone I truly admire once told me that this game is all about trust. So ask yourself . . . do you trust me?”
      Gavin growled his name then, dragging out the word in a bitter, internal struggle. The weight of it made Walt’s throat constrict. Despite all of their arguments, Boomer’s death and his own desertion when things got hard — in spite of all of that — his brother still wanted to trust him.
      “Trust me, Gavin.”
      Brock and her wingman swept low, diving to corral Cassiopeia and its escorts. Jazza redirected them with a blazing torrent of laser fire and got rocked by the neutron cannon in return. The shields around her battered Cutlass flashed, dimmed and then failed.
      Walt gritted his teeth. It was now or never.
      “Jazz,” Gavin’s voice sounded hard and sharp, “rally with Cassiopeia and make a break for it.”
      Walt pumped his fist and accelerated back the way he’d come in.
      “Walt,” Gavin sounded angry enough to eat nails, but he followed, “I’m on your six. Let’s go, people! Move like you’ve got a purpose.”
      Walt pulled up a set of coordinate presets and streaked away with Gavin close behind him. The two remaining Hor­nets split, with Brock falling in behind Gavin to give pursuit. Even together he and Gavin didn’t have much chance of getting past her superior shields. Instead, he set a straight course for the waypoint marked at the edge of his display. When incoming fire from Brock drove them off course, he corrected to put them directly back in line with the mark.
      Brock was gaining. Gavin’s icon flashed on his display. She was close enough to hit reliably with her repeaters. As they approached the preset coordinates, Walt spotted a rippling distortion of winking starlight. Correcting his course slightly, he headed straight for it. Gavin and Brock were hard behind him.
      “Come on,” Walt whispered, “stay close.”
      On the squad display, he saw Gavin’s shield integrity dropped yet again. Brock was scoring more frequent hits.
      “A little farther.”
      Walt focused on the rippling of starlight ahead, a dark patch of space that swallowed Nexus’ star. He made a slight course correction and Gavin matched it. Together, they continued their breakneck flight from Brock’s deadly onslaught.
      The small patch of dark space grew as the three ships streaked forward. Walt opened the squad channel on his mic and shouted, “Now!”
      On his HUD, a new ship flared onto the display. It appeared to materialize nearly on top of them as Dell’s Avenger dropped from her hiding place inside the blackened hull of the derelict Idris.
      Walt punched his thrusters. The lift pressed him into his seat as he pushed up and over their trap. He heard Dell shouting over the squad channel, and he turned, straining to see behind him. Bright flashes from Brock’s muzzles accompanied a horrible pounding thunder. Dell had left her mic open and it sounded like the massive gun was threat­ening to tear her ship apart.
      “Heads up, Gav!”
      Dell’s voice hit Gavin like a physical blow.
      He saw his brother climb and suddenly disappear behind an empty, starless expanse. Then Boomer’s Avenger materi­alized from within that blackness, and Gavin knew that his wife was inside the cockpit. She was with him, out in the black where veteran pilots outgunned them.
      His body reacted where his mind could not. He shoved down, hard. Thrusters strained as he instinctively tried to avoid colliding with her. A brilliant pulse like flashes of light­ning accompanied a jarring thunder of sound.
      Gavin forced his battered ship to turn. The Cutlass shud­dered from the stress, and Gavin was pressed into the side of the cockpit as the nose of his ship came around.
      He saw the first heavy round strike Brock. The combined force of the shell and her momentum shredded her for­ward shields. Then round after round tore through the nose of Brock’s ship until the air ignited inside.
      “Dell” — the flaming Hornet tumbled toward his wife like an enormous hatchet — “look out!”
      Brock ejected.
      Dell thrust to one side, but the Hornet chopped into the hull where she had hidden. The explosion sent ships and debris spinning apart in all directions.
      “Dell!”
      He swept around to intercept her spinning ship. Walt beat him there. Thrusters firing in tightly controlled move­ments, Walt caught her Avenger, slowed it and stopped the spin.
      Gavin rolled to put himself cockpit to cockpit with his wife.
      “Dell?”
      She sat in stillness at the controls, her head down and turned to one side.
      “Come on, baby. Talk to me.”
      She moved.
      With the slow deliberateness of depressurized space, she rolled her head on her shoulders. When she looked up, their eyes met. Dell gave him a slow smile and a thumbs-up. He swallowed hard, and with one hand pressed to his heart, he shut his eyes silently in thanks.
      Gavin spun his Cutlass and thrust over to where Brock floated nearby, his weapons systems still hot. He paused then, looming above her as she had hesitated over Boomer.
      Her comms were still active. “What now, Rhedd?”
      He remembered her from the meeting with Greely. Tall, lean, and crisp. She seemed small now, drifting not more than a meter away from the battle-scarred nose of his Cutlass.
      “Gavin?” Dell’s voice sounded small after the ruckus of the fight.
      Walt eased into view alongside him. His voice was low and calm, “Easy, buddy. We weren’t raised to OK pilots.”
      “She’s not worth it,” Dell said.
      Brock snarled, “Do it already.”
      He had studied Brock’s reports for months. She had more ships and more pilots than he could ever imagine employing. What drove her to harass them and kill one of his crew for this job?
      “I just want to know why,” he asked. “You’ve got other contracts. You’ve probably made more money than any of us will see in our lives. Why come after us?”
      He held Brock’s eye, the lights from the Cutlass reflecting from her visor.
      “Why?” she repeated. “Look around you, Rhedd. There’s no law in these systems. All that matters here is courage to take what you want, and a willingness to sacrifice to keep it.”
      “You want to talk sacrifice?” he said. “That pilot you killed was family.”
      “You put him in harm’s way,” she said, “not me. What little order exists in these systems is what I brought with me. I carved my success from nothing. You independents are thieves. You’re like rodents, nibbling at the edges of others’ success.”
      “I was a thief,” he said, “and a smuggler. But we’re building our own success, and next time you and I meet with the Navy,” Gavin fired his thrusters just enough to punch Brock with the nose of his ship, “it’ll be in a court­room.”
      She spun and tumbled as she flew, growing smaller and smaller until the PRB on his HUD was all he could see.
      A pair of Retaliators with naval designations were moored outside the Rhedd Alert hangar when Gavin and the crew finally limped back to Vista Landing.
      Crew aboard Cassiopeia had insisted on helping with medical care and recovery after the fight. The team scheduled for pick-up at Haven was similarly adamant that Rhedd Alert take care of their own before continuing. Technically, no one had checked with Navy SysCom.
      Did the Navy fire contractors face to face? For all he knew, they did.
      Gavin saw to the staging of their damaged ships while the others hurried the wounded deeper into Vista Landing. When he’d finished, he exchanged a quick nod with Barry Lidst who stood at ease behind Major Greely.
      “Major,” Gavin held out his hand, “I assume someone would have told me already if I was fired.”
      His hand disappeared in the major’s massive paw. “I sup­pose they would have, at that.”
      “Then to what do we owe the honor?” Dell and Walt joined them, and Gavin made introductions.
      “‘I’ first, then ‘we,’ ” Greely repeated, “I like that, Rhedd. I appreciate a man who accepts consequence personally but insists on sharing accolades with his team. Tell me, son. How’d you get Brock?”
      Gavin nudged his wife. With a roguish grin, Dell pulled her arm from around Gavin’s waist and stepped over to pat the Tarantula on her battered Avenger.
      “Nice shooting, miss.”
      Dell shrugged, “Walt pulled my tags, nav beacon and flight recorder before we left. I was sitting dark inside a decoy when the boys flew her right down the barrel.”
      Barry leaned toward Greely and in a completely audible whisper said, “It might be best if we ignore the illegal parts of that.”
      Greely waved him off. “This is what the ’verse needs. Men and women with the courage to slap their name up on the side of a hangar. A chance for responsible civilians to create good, honest jobs with real pay for locals. That an ex-military contractor tried to muck that up . . .”
      Gavin and the team got a good, close look at what angry looked like on a Navy officer. It was the kind of scowl that left an impression.
      “Anyway,” Greely composed himself, “not a soul in the ’verse would blame you for writing us off as a bit of bad business. I’m here to ask that you stick with it.”
      Gavin was reluctant to bring their financial situation up in front of their one paying client, but they were tapped out. Rhedd Alert didn’t have the cred to buy ammo, much less repair their downed fighters. “Actually, sir. I think we may need to find something a little more lucrative than getting shot up by disgruntled incumbents.”
      “About that,” Greely rested his hand on Gavin’s shoulder. He led him to look out one of the large hangar windows at the Retaliators buoyed outside. “My accountant tells me there may be some room to renegotiate certain parts of the Tyrol contract. But that job won’t be enough to keep your team busy now that Brock’s out of the way.”
      Gavin laughed. “On that point, I most certainly hope you are right.”
      “Well . . . I’ve got more work for an outfit like yours. I hope you’ll accept, because you folks have surely earned it. Tell me, Rhedd, are you familiar with the Oberon system?”
      Behind them, Walt dropped his helmet.
      The End
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